So, like many people out there, I have this story floating around inside my head. And it wants to get out. Pretty badly. I've thought of writing it out, but firstly, I don't think it's good enough to warrant that much "work", and secondly, I don't want to do anything that might feel like "work" in my spare time. So it's been floating around up there, pretty much since the day I got my Bloody Red Hood Pullip (I think it was January of 2014). I never imagined I would be the kind of doll collector who had characters, personalities, and a storyline for her dolls. I thought I'd be more of the dress-and-display kind of collector. But here I am with this story, and it keeps becoming more and more elaborate as time goes by.
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| Jax: Don't look at me. I was dead before the story even began! |
I also never thought I would enjoy photography as much as I have since I started doll photography. I used to want to poke my eyes out with a fork if S. tried to talk to me about shutter speed, aperture, and lighting... but now I consider it a puzzle I have to solve to capture the emotion I'm looking for in a scene.
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| Balance, posture, hair, clothes, lighting, angle... so many pieces to the puzzle! |
So if we put the story with the emerging love of photography, we've got ourselves a little pic-fic! Because my long-time unfulfilled dream is to be a filmmaker, video seemed to be a logical medium for telling my stories. What I like about making these music videos is that the music (either the lyrics or the mood of the song, or both) tells part of the story for me, and I don't have to fiddle around with words. My original goal was to make the entire storyline unfold in these music videos, but I realize now that I need some dialogue to move the story along and to help develop the characters.
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| Photos and music can tell a lot of the story... but not all of it. |
So after a long delay, I completed Episode 3: Count on Me today, and it feels good to have the story ready to move on. I have the story mapped out in an app called A Novel Idea, which allows me to keep track of characters and scenes, and my story can go in a few different directions from here (I can go backwards or forward, but within those 2 general directions, there are a few different story arcs to explore). My next phase is one of may favourites- the listening to music everyday on the radio with an ear for my next song.
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| Ok, that's a wrap, ladies. Thanks for coming out. See you next episode. |
Getting ready for a photoshoot like yesterday's backyard woods shoot for my Count On Me video takes a lot of preparation. Because I had to style my dolls for their ongoing roles and because I want them to have a relatively consistent look throughout, it actually took me a few weeks from conception (usually conception starts with hearing a song and recognizing it as being a good vessel to carry the next part of my story) to shooting. I had to get new eye chips and wigs for Nikki, Rae, and Suri; new bodies for everyone (I ran out of steam and didn't put Ally's on her for the Count on Me video); and come up with looks for each character. I had the song choice solidified and timed out on paper for about 3 weeks, so it was mostly waiting for stuff to arrive from all over the world and getting the time to do some plastic surgery on my dolls.
After a few weeks of waiting and chipping away at styling my dolls, this weekend, I realized I was finally ready to shoot! So Sunday morning I carefully packed my dolls into a reusable Stampin' Up! shopping bag, and headed out to my backyard, a.k., the "woods" of Woodside.
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| Ok everyone, keep their hands to themselves! |
I have
a video about what I pack for outdoor doll photography, so I won't get into the details here. But I will say that I've learned to bring shoes in a separate ziplock baggie, and to put them on the doll at the last minute before shooting, then remove before I change locations. Pullip shoes (not so much the boots) are notorious for being miles too big for her feet and so far I've been lucky to have always been able to retrieve all my lost shoes. I don't want to tempt fate.
The other thing I've learned is to wear a pair of foam gardening knee pads. Because these knees survived the rollerskating craze of the 70's and 80's and I need them to last me a few more years. This time I'm bringing a few flashes and stands with me as well as my regular gear. Oh, and bug spray. Lots and lots of bug spray (and I check myself for ticks when I'm done- we have lots of deer living around us).
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| No, Lyla, you can't come on the photoshoot! (don't worry, she gets plenty of attention from the camera- she has her own Instagram account!) |
When I get outside, I look for locations that have enough space to get my body and equipment in place, but not so clear that there is nothing to lean the dolls against. It's one thing to get a single pulp balanced to stand outside in the potential wind... it's a completely different task to try to get multiple dolls standing at once without some type of propping. One I get the dolls positioned I cut away any brush that gets in the way of the camera and the dolls, or that looks distracting in the photo.
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| This is my Voice Activated Lightstand (VAL). He prefers I call him Scott. |
That flash Scott is carrying with the yellow gel on it gives my dolls that sun-kissed look in the photo below:
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| We placed the yellow gel flash above and behind the dolls |
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| The same photo without the extra flash looks a lot flatter. |
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| This is what happens when you spend an hour and a half lying and kneeling on the ground in the woods. |
After 90 minutes in the woods with Scott, I had 105 photos, 37 of which were decent (that number would be a lot smaller if Scott had't come along- he has a real eye for this stuff). Sixteen of those made it into verse one of the song, accounting for a whopping 45 seconds of video!
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| 90 minutes of photoshoot time=45 seconds of final product. |
I shot the rest of the photos indoors. The chorus photos were shot in Scott's studio area, with decorations from my dining room, and wooden numbers from Michael's (which i painted a few weeks ago).
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| BTS indoor photoshoot with numbers |
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| Here is the photo I was setting up in the above BTS shot. |
I didn't take BTS shots of the other 2 scenes in the video. I do have
a blog post that shows my interchangeable doll room set, which is what I used for the remaining scenes. I went back to the
Love Don't Die video (Episode 2) to check the details of Suri's living room for the movie scene. The photos are so dark for that scene that I didn't put them on my flickr, so you'll have to check out the
Count On Me video (Episode 3) to see those shots. I am disappointed that I couldn't get the video portions to match with the still photos in that segment. My video camera has auto-exposure and I forgot to turn it off. I spent a lot of time trying to get the lighting to look like the light was coming from the tiny Hello Kitty TV, and then the video portion messes it all up. But I was glad to get the photo of Jax to be noticeable (at least I THINK it's noticeable) because it ties this episode into the previous episodes and reminds us Suri has been mourning the death of Jax. I want the viewer to deduct that meeting the girls of Woodside represents a turning point in her healing.
Which leads me to the bridge of the song, which shows Suri getting her makeover with Suzette. I didn't put anything on the walls (they are my own craft room walls) but I'm glad I could make the American Girl vanity and salon chair to work for this scene. It saved me a bunch of work McGyvering some type of bathroom scene.
Between Vendettina's cape and my kids' AG accessories, I was able to set up a decent bathroom/home salon scene in no time. The Rement scissors and other props don't look terribly out of scale with the vanity.
So that's it for this BTS post. I make these mostly for my own reference, but if anyone happens upon this post, I hope you glean a bit of usefulness out of it!
